My third gift was a photograph of the El Paso/Juárez border: the Chihuahua Desert, the Rio Grande, a stern mountain, two sprawling border cities. Like our families, our geography is part of who we are. When I was growing up on the U. S. side of that border, the society around me tried in subtle and not-so-subtle ways to convince me that my Mexican heritage was inferior to that of Anglo-Americans. I hope that today’s educators on the border and throughout this nation are now committed to multiculturalism, to motivating the next generation to draw on their heritage as a resource for learning. The U. S. has been described as the first international country: Our varied cultures are our common wealth. Borders—and if we’re attentive, we realize we all live on borders, whether they are national or not—are sites of tension and sites for learning. Borders invite us to confront differences, inequities and stereotypes. They invite us to work for multicultural cooperation and to celebrate multilingual richness. –“The Leader in the Mirror,” Pat Mora What symbol does Mora introduce in this passage? What does this symbol represent?

Read the following excerpts that illustrate darl's and cash's points of view from william faulkner's as i lay dying : from darl: read the following excerpts that illustrate darl's and cash's points of view from william faulkner's  as i lay dying: from darl: tull's wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. in the wagon bed are two chairs. jewel stops at the spring and takes the gourd from the willow branch and drinks. i pass him and mount the path, beginning to hear cash's saw.when i reach the top he has quit sawing. standing in a litter of chips, he is fitting two of the boards together. between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, cash is. he holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. he kneels and squints along the edge of them, then he lowers them and takes up the adze. a good carpenter. addie bundren could not want a better one, better box to lie in. it will give her confidence and comfort. i go on to the house, followed by the          chuck.          chuck.          chuck.of the adze.from cash: i made it on the bevel.there is more surface for the nails to grip.there is twice the gripping-surface to each seam.the water will have to seep into it on a slant. water moves easiest up and down or straight across.in a house people are upright two thirds of the time. so the seams and joints are made up-and-down. because the stress is up-and-down.in a bed where people lie down all the time, the joints and seams are made sideways, because the stress is sideways.except.a body is not square like a crosstie.animal magnetism.the animal magnetism of a dead body makes the stress come slanting, so the seams and joints of a coffin are made on a bevel.compare how the two narrators tell the story of addie bundren's impending death. is either narrator reliable? explain what the reader learns about each narrator. be sure to use specific details from the text to support your answer.

Read this description of a detail from the movie i am legend. a scientist is the last man alive in a post-apocalyptic new york, where zombies have taken over and destroyed most of the population. about ten minutes into the film, the man thinks back to how the zombie creatures came to be, and how at one point he had a wife and child. which type of suspense technique did the screenwriter use? dramatic irony flashback foreshadowing special effects

How is the word laud and welcome different