How does the setting of the story affect the events in the church? A) The priest knows that Eric is a time traveler from the future.
B) The priest misinterprets Eric’s modern language.
C) The priest wrongly assumes that Eric is a thief because he has run to the church.
D) The priest thinks Eric is a runaway apprentice.

Match each excerpt with the type of essay it represents. tiles persuasive descriptive expository narrative pairs type example modern art comes in all forms, shapes,and sizes. generally, the era known as the modern art movement includes paintings, sculptures, and other artwork created from 1880 to 1945. artwork produced during this period became progressively more abstract and less realistic. in the early part of this period, artists experimented by interpreting color, shape, and form in unique ways that represented their own visions rather than nature. at the height of the modern art movement in the early 1940s paintings and sculptures were completely abstract, with no recognizable objects. two interesting movements of this era include cubism and abstract expressionism. arrowboth

Which three parts of this passage from chapter 6 of emily brontë's wuthering heights show that hindley earnshaw did not care about the well-being of catherine and heathcliff after the death of mr. earnshaw? they both promised fair to grow up as rude as savages; the young master being entirely negligent how they behaved, and what they did, so they kept clear of him. he would not even have seen after their going to church on sundays, only joseph and the curate reprimanded his carelessness when they absented themselves; and that reminded him to order heathcliff a flogging, and catherine a fast from dinner or supper. but it was one of their chief amusements to run away to the moors in the morning and remain there all day, and the after punishment grew a mere thing to laugh at. the curate might set as many chapters as he for catherine to get by heart, and joseph might thrash heathcliff till his arm ached; they forgot everything the minute they were together again: at least the minute they had contrived some naughty plan of revenge; and many a time i’ve cried to myself to watch them growing more reckless daily, and i not daring to speak a syllable, for fear of losing the small power i still retained over the unfriended creatures. one sunday evening, it chanced that they were banished from the sitting-room, for making a noise, or a light offence of the kind; and when i went to call them to supper, i could discover them nowhere. we searched the house, above and below, and the yard and stables; they were invisible: and, at last, hindley in a passion told us to bolt the doors, and swore nobody should let them in that night. the household went to bed; and i, too, anxious to lie down, opened my lattice and put my head out to hearken, though it rained: determined to admit them in spite of the prohibition, should they return.

Which best identifies the figurative language used in this passage? cannon to right of them, cannon to left of them, cannon in front of them volley’d and thunder’d; storm’d at with shot and shell, boldly they rode and well, into the jaws of death, into the mouth of hell rode the six hundred.