As your boss ushers you into his office and closes the door, you're experiencing a full-blown episode of the fight or flight response. But since you can't fight and you can't flee, all of that energy is pent-up inside of you with no place to go. You feel like
you're going to explode. Your boss begins to speak. "Here it comes," you think to yourself. But you're so shocked by what you
hear you can't believe you heard it right. "What did you say?" you ask your boss. "We are considering you for a promotion," he
repeats.
Which term is a related word of flight as it is used in this passage?
A)
aviation
B)
escape
formation
D)
meeting

Read these lines from "an open boat" and answer the question. an open boat by alfred noyes see - quick - by that flash, where the bitter foam tosses,
 the cloud of white faces, in the black open boat,
 which of the end rhymes below matches the one in the last line of the excerpt? “he’s living, i know. but he’s numbed with the cold.” “and there are no voices or ghosts in that darkness.” “and wraps her loose hair round his breast and his throat.” “come. loosen your fingers. – o god, let me keep him! ”

Which is an example of perfect iambic pentameter? a. "i have been worth the whistle." b. "whose reverence even the head-lugg'd bear would lick," c. "a man, a prince, by him so benefited! " d. "ere they have done their mischief. where's they drum? " e. "marry, your manhood, mew! "

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.