Read the excerpt from “A Ride in the Night.” Will could hardly swallow the plate of ham and eggs that the innkeeper brought him. This man, too, gave him a keen look that did nothing to relieve his uneasiness. Could he be the Mr. Coleman of whom his father had spoken? It didn’t seem so from the way he scowled. He didn’t look friendly at all.

As soon as Will had finished, he laid a coin on the table and stole out the door. Once astride his mare, he turned her head toward the woods.

“That’s not the road to Williamsburg,” a voice growled from the doorway.

The boy looked down to meet the scowling eyes of his enemy. “I was only getting my bearings. I know the road to Williamsburg.”

He galloped off in the opposite direction of the one he wanted to take. York must wait with the horses. Will hoped with all his heart that the boy would remain hidden in the woods.

Based on the details in the excerpt, which inference can be made?

Will wants to ride away as far as possible to avoid further mistreatment from the soldiers.

Will must change his plans to be sure he does not lead the soldiers to the hidden horses.

Will intends to go all the way to Williamsburg to make certain the soldiers do not find York.

Will pretends to be confused to make the soldiers believe he is not bright enough to transport horses.

i think you should write from the heart and think what truely makes a hero. i can’t do this for you. even though this is it’s up to you.

the answer is c) !

question: select the word from the list that best fits the definition tables and charts comparing the government from five different states.

answer: appendix

hope this , and have a great day. c;

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran