Read the paragraph from the text. This nation has placed its destiny in the hands and heads and hearts of its millions of
free men and women; and its faith in freedom under the guidance of God. Freedom means
the supremacy of human rights everywhere. Our support goes to those who struggle to gain
those rights or keep them. Our strength is our unity of purpose. To that high concept there
can be no end save victory.
Which of these options best describes why the author used this paragraph in the text? Select
three options.
A to summarize his ideas about human freedom
B
to conclude with a lofty and virtuous thought
>
to specify the concrete goal of the U. S. government
D
to link the goals he discusses to a greater purpose
E
to emphasize his immediate goal for social progress
F
to establish an abstract ideal that he will elaborate

idk

explanation:

is there a book if so take some time to read that book and then you   mite find the answer cause i dont know this story

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran