Keyonn is a hacker and deletes your questions or answers! Spread the message please! Keyonn deleted a few of mine and they were legitimate academic answers.

i think sylvia like her but she not trying to show it and i think rainbow will forgive her.

explanation:

gilgamesh is a hero by birth as the epic explains it. in the epic the birth is explained in the way which tells us that gilgamesh’s creation was made perfect by the contribution of various god and that signifies the goal in his life, which was to become a hero and save mankind. an example from the text says. "the glorious sun shamash bestowed upon him glory; adad the terrible god of storms bestowed upon him courage. the great gods perfected his magnificence beyond all others, terrible like the great wild bull. two thirds god they made him; one third man they made him." a man born with superhuman qualities and partly god is destined to be a hero.

the heroic deeds carried by him later in his life also prove the heroic character of gilgamesh. for example hi battle with the ultimate beast humbaba is a proof of his bravery and characteristic heroism. gilgamesh was warned about the beast as the text says about humbaba “whose roar is a flood, whose mouth is fire, whose breath is death". but with the superhuman strength gilgamesh did the job

the chosen symbology is the 'sweet secret' which anna confesses on january 6th.

anne's thoughts on her mother are further indication of her growing maturity and of her feelings of isolation from her mother.

the homoeroticism of this passage led it to be excluded from early editions of the journal. this passage shows anne's simultaneous innocense about and fascination with sex. she's clearly aware and unafraid of being sexual, but at the same time is seemingly unaware that her homosexual feelings could be considered taboo back then.

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themes  are central to understanding a  midsummer night's dream  as a play and identifying shakespeare's social and political commentary. the dominant  theme  in a mid summer night's dream  is love, a subject to which shakespeare returns constantly in his comedies.

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