DIRECTIONS: find the parallel elements in each sentence.

the scene now shifts back to the shelby plantation in kentucky, where  aunt chloe  has just received the letter tom wrote her with little eva's . mrs. shelby tells her husband about the letter, in which tom says that although his new family is kind, he still longs to return to his "real home."

mr. shelby, in the meantime, has still been plagued by debt. mrs. shelby offers to raise money, especially so that they can buy tom. mr. shelby becomes angry, and his wife lets the unlikely hope drop for the present. chloe then calls for mrs. shelby and asks if she could be hired out as a pastry cook in louisville in order to earn money for tom. mrs. shelby gives chloe her blessing.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran