Which is the best summary of The Crisis Number IV ? A. We are very close to achieving the freedom we have sought for so long, though the struggle to achieve it has been
tiresome. General Howe has great weakness as a leader,
B. Our recent battles have been very exhausting, and though victory is within reach, we will have to work very hard to
achieve it. As long as we are able to ultimately gain our freedom, it does not matter if we achieve victory in one
battle or in many
O The rewards of freedom can only be obtained through exhausting efforts. Though our recent experiences in battle
may have worn down our spirit and our physical strength remember that we have made significant advances
against the British troops.
We will have to struggle more diligently if we wish to achieve victory and ultimately enjoy the benefits of freedom
General Howe's army has proven itself very capable.

the answer is b

and your question what topic are you in trouble with?

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

im sorry im not learning about this stuff right now.