Read the paragraph and complete with the words from the box. not all the words will be used.
accomplished daring focused obsession unthinkable
challenge do-or-die impressive pressure willingness
complications enormous inspire risk

in 2011 natalie portman won an academy award for her role in black swan, a film about a ballerina who develops performing a role. to prepare for the film, portman made to exercise each day for six months, practicing ballet and increasing her fitness. as a result of work very hard to train her body, portman gave a convincing performance as nina, a ballerina who faces mental illness that lead her in a take her art to a higher level. as nina faces having to compete with another dancer, she takes a to being the best. she is so her role that she faces the losing her mind as she pushes herself to go beyond her limits and shows her strength 's amazing performance in this film actresses for years to come.

i already did but i want to check if i use the correct words.

the purpose is to inform because for some reason they really want you to know about it.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran

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