Which lines in this excerpt from act iii, scene v, of shakespeare’s romeo and juliet foreshadow the tragic ending of the play?
juliet: art thou gone so? love, lord, ay, husband, friend!
i must hear from thee every day in the hour,
for in a minute there are many days:
o, by this count i shall be much in years
ere i again behold my romeo!

romeo: farewell!
i will omit no opportunity
that may convey my greetings, love, to thee.

juliet: o think'st thou we shall ever meet again?

romeo: i doubt it not; and all these woes shall serve
for sweet discourses in our time to come.

juliet: o god, i have an ill-divining soul!
methinks i see thee, now thou art below,
as one dead in the bottom of a tomb:
either my eyesight fails, or thou look'st pale.

romeo: and trust me, love, in my eye so do you:
dry sorrow drinks our blood. adieu, adieu!

(exit)

juliet: o fortune, fortune! all men call thee fickle:
if thou art fickle, what dost thou with him.
that is renown'd for faith? be fickle, fortune;
for then, i hope, thou wilt not keep him long,
but send him back.

In what ways do “the lamb” and “the tyger” represent opposite sides of human existence? a. “the lamb” urges passive control, while “the tyger” glorifies man’s dominance over nature. b. “the lamb” urges meek acceptance, while “the tyger” glorifies nature and power. c. “the lamb” urges childlike faith, while “the tyger” glorifies man’s experience.

Which lines in this excerpt from act ii of william shakespeare’s romeo and juliet reveal that mercutio thinks romeo would be better off if he stopped thinking about love? mercutio: i will bite thee by the ear for that jest. romeo: nay, good goose, bite not. mercutio: thy wit is a very bitter sweeting it is a most sharp sauce. romeo: and is it not well served in to a sweet goose? mercutio: o here's a wit of cheveril, that stretches from an inch narrow to an ell broad! romeo: i stretch it out for that word 'broad; ' which added to the goose, proves thee far and wide a broad goose. mercutio: why, is not this better now than groaning for love? now art thou sociable, now art thou romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. benvolio: stop there, stop there. mercutio: thou desirest me to stop in my tale against the hair. benvolio: thou wouldst else have made thy tale large. mercutio: o, thou art deceived; i would have made it short: for i was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer.

The play, doctor faustus, opens with a prologue. by describing faustus's beginnings as a child "base of stock" and his end as his "waxen wings" melted when "heaven conspired" to stop him, the chorus subtly calls to audience's minds, as they begin to view the play, the commonly held idea of the great chain of being the pact with the devil the seven deadly sins the renaissance man