Which sentence from the story is an example of the author's use of physical description to develop a character?
a. "the father was respectable and tight, a mortgage fancier and a stern, upright collection-plate passer and forecloser."
b. "about two miles from summit was a little mountain, covered with a dense cedar brake."
c. "he put a red-hot boiled potato down my back," explained bill, "and then mashed it with his foot; and i boxed his ears. have you got a gun about you, sam?
d. "i ain't attempting," says he, "to decry the celebrated moral aspect of parental affection, but we're dealing with humans, and it ain't human for anybody to give up two thousand dollars for that forty-pound chunk of freckled wildcat.

Buckminster boy. she glared at him. "lizzie, i swear to you, as sure as i'm standing right here—that's a lie. every bit of it. every single bit." "my granddaddy said it was a lie, too." she leaned her head to one side and looked at him steadily. "so why haven't you been down to the island? " "so only you get to ask questions now? " "yes." she waited. "i haven't been down to the island because my father believes that you were using me to you stay on malaga island." "well," she said slowly. "well." "i didn't believe it, either." the sea breeze lay at their feet panting, hoping they would play with it again. based on what turner and lizzie say, which is the best conclusion that can be drawn? they are angered by the lies the adults have been spreading. neither of them is able to fully trust what the other is claiming. each trusts the other and cares a great deal about their friendship. both are worried about the troubles their friendship may bring.