Read the passage from “Edgar Allan Poe.” “In speaking of my mother you have touched a string to which my heart fully responds. To have known her is to be an object of great interest in my eyes. I myself never knew her—and never knew the affection of a father. Both died (as you may remember) within a few weeks of each other. I have many occasional dealings with Adversity—but the want of parental affection has been the heaviest of my trials.”

The dialogue helps the reader analyze

Poe’s parents.

the central idea.

the main setting.

Poe’s character.

reasoning from several particular examples to establish a general principle

a) he encouraged islamic schools to introduce greek texts.

d) he invited greek scholars to teach their texts to the locals.

explanation:

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?