8) What spurred the transfer of Armenians to labor battalions allowing for them to be systemically murdered by Ottoman
troops?

the metamorphosis is based on an evident father-son problem. this story shows, as a result of the unthinkable transformation of the son in an insect, the deformation and destruction of the individual caused by the authoritarian and hierarchical structures of the family. the narrative begins with the transformation into an insect of enormous proportions of the traveling salesman gregor samsa, a lonely, introverted and submissive, who keeps his family with his work. when he worked, he was appreciated by everyone, but, now that he can not work, he is despised, especially by his father, but this is going to be joined, painfully for the protagonist, first his mother and, finally, his own sister, grete, with whom he had held a special relationship of complicity and affection for many years.

condemned by a deep sense of responsibility, gregor fears the reaction that his frightful aspect will incite in his family. he feels guilty for not being able to continue being useful to the beings he maintained. his own family, however, is ashamed and runs away from him, and even tyrannizes and resists him. the father, of a severe and despotic character, humiliates him and treats him with great cruelty. all his attempts to escape from the confinement to which he is subjected in his own room fail before the hostile rejection of the beings that surround him. prisoner in his lair and unable to continue playing the only function of making money he had, finally chooses, with the consent of his parents and sister, to die of starvation. with this, he is freed from a servile and unhappy existence. the family appreciates gregor while he fulfills the interests. but when he is unable to continue earning money, it becomes a problem, a shame, and family relationships begin to become tense, until coexistence becomes impossible.

"valley of salt tears" and "dark, deep and foggy" are two images used to establish a mood of uncertainty and regret. this imagery is made up of sensory appeals to brings up   theological concerns of sin and retribution.

they conjure up the human   uncertainty about the divine and its relationship to the world.

i think you might be able to change the langauge either on the website for you to see or your computer.

marian anderson was the first black aamerican to appear there. she played the role of ulrica in "a masked ball". anderson's appearance was mostly   symbolic, she was already past her prime as a singer, and she had made her succcess on the concert stage. in her first performance, she received a ten minutes ovation. the moment was considered momentous enough at the time to warrant a front page at the new york times story.

the singer wore an iridescent peasant blouse adorned with several beaded necklaces. the lights illuminated her features   from below, creating an aura of mysticism and darkening her expression in shadow. then, marian sang. when she hit the “a” note, she held it, and i knew that all   doubts about her skill must have melted away with that note.