Another poem. Ik Karen’s two in one day. And also my teacher gives me extra credit for my poems so don’t flag. I need a name. Probably watch your mouth. Tell me what I should fix don’t be afraid to tell me. Watch your words
Watch your mouth
Speak a sentence
And hearts cry out
Watch your tone
Watch your mouth
Because it’s the heart that needs to talk now
Watch your angry
Watch your mouth
Your not thinking and words come out
Watch your laugh
Watch your mouth
you may think it’s funny but they do not now
Watch your sad
Watch your mouth
Your hurt but YOU push others down
Watch your cry
Watch your mouth
You think others are not helping but turn around
The things you say hurt
So watch your mouth
And read this poem when you start to fall out
I hopes this helps, you should realize now.

What is a casting director, and what do you think might be some of the possible benefits of a director using a casting director? what do you think might be some of the possible drawbacks of a director using a casting director? your response should be at least five sentences. use complete sentences and offer evidence to back up your opinion.

Which excerpt from the awakening best highlights the elation edna feels when she thinks of robert? the morning was full of sunlight and hope. edna could see before her no denial—only the promise of excessive joy. she lay in bed awake, with bright eyes full of speculation. “he loves you, poor fool.” he would come to her in the afternoon or evening, sit and roll his cigarette, talk a little, and go away as he had done the night before. but how delicious it would be to have him there with her! robert did not come that day. she was keenly disappointed. he did not come the following day, nor the next. each morning she awoke with hope, and each night she was a prey to despondency. his horses were full of mettle, and even a little unmanageable. she liked the rapid gait at which they spun along, and the quick, sharp sound of the horses' hoofs on the hard road.

Read the excerpt from dominique’s personal narrative. tired of waiting for the bus, which was late for the fifth day in a row, i sat leafing through an old magazine i had stuffed in my purse the previous night. it was terribly warm for a september afternoon, and the sun cast fleeting shadows on the bus stop sign with each car that passed. i wondered when the weather would get cooler and when the new bus driver would start arriving on time. it was about then that i first noticed the apparent agitation of the man sitting next to me. finally, the bus arrived and ambled to a gradual stop directly in front of the restless man. the doors widened, and the bus driver greeted the man with his usual banter in his usual monotone. "good afternoon. how are you today? ” when writing the next few lines of dialogue, dominique should be certain that the lines provide clues about what will happen later on in the narrative. contain made-up details that make the story more exciting. include everyday language that seems real and natural. use precise words that make both men sound educated.