Maybe you don't like talking too much about yourself But you should've told me that you were thinkin' 'bout someone else
You're drunk at a party or maybe it's just that your car broke down
Your phone's been off for a couple months, so you're calling me now
I know you, you're like this
When sh. it don't go your way you needed me to fix it
And like me, I did
But I ran out of every reason
Now suddenly you're asking for it back
Could you tell me, where'd you get the nerve?
Yeah, you could say you miss all that we had
But I don't really care how bad it hurts
When you broke me first
You broke me first

The fact that this song relates to me so much is unbelievable, SMH...anyways I hope y’all have a great day

"where are you taking me? " the car hesitated, or rather gave a faint whirring click, as if information, somewhere, was dropping card by punch- slotted card under electric eyes. "to the psychiatric center for research on regressive tendencies." he got in. the door shut with a soft thud. the police car rolled through the night avenues, flashing its dim lights ahead. which statement best describes the intended aesthetic impact of this excerpt? o a. by showing leonard obeying the police car, the author reinforces the theme of surrendering one s individuality. o b. by relating the way the car responds, the author underscores the theme of the dangers of a mechanized of society o c. by having leonard, a seemingly normal person, taken to a psychiatric center, the author injects irony, leaving the reader surprised o d. by showing leonard communicating with another person, the author satisfies his need for human contact, leaving the reader hopeful

Hurry 100 points consider the speakers in "the raven" and the speaker in "the song of wandering aengus."write two paragraphs to compare and contrast the voice in these two poems. how does the poet give the speaker in each poem a distinctive voice? what effect does this voice have in each poem?

According to auden’s “musée des beaux arts”, who understands human suffering