My grandfather likes to speak fondly, and with that twinkle in his eye, about "simpler" times. Television stations were just a handful; changing channels involved removing oneself from the couch to physically wrestle with knobs and "rabbit ears"--the antennae that stuck out of the
top of the TV. He conjures up images of the family gathering around a clunky television set to watch grainy images of a lunar landing, or the once-
yearly broadcast of a movie he can't believe I have never heard of.
But Grandpa gets a little more serious, more animated, when he speaks about what he believes has been lost in this age of technology. He
thinks we have lost the ability, the need-the luxury, perhaps-to reflect before we speak, before we disseminate knowledge, before we send our
ideas into cyberspace for the whole wide world to read. And I think there is some truth to what he says.
While it is true that information is immediate, and often unfiltered, it is also constantly being challenged.
People are less likely today to accept the version of events offered by a single newsman sitting behind a rectangular desk in a distant studio. Today,
people question what they hear, and search for answers themselves. People are part of the stories as they evolve. I see it as a dialogue: vibrant,
dynamic, exciting.

Please HELP I will give you a BRINALY STARS.

Question

Which sentence would make the best transition between paragraph 2 and 3?​

B:”however, i believe that the dangers of technology and its impact on our world are very real and need to be addressed”

Explanation:

can you type the questions out? we cant really see anything

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: