(1) Bob Dylan is the songwriter who opened up the doors of possibility to all who followed. (2) He was the mysterious bard with a guitar who sent out a clarion call—first as the acoustic Voice of His Generation, then as the plugged-in rocker who remained a master of the unexpected for five decades—that the words pop singers sang were worthy of being taken seriously. (3) "Dylan was a revolutionary,” Bruce Springsteen said in his 1988 speech inducting Dylan into the Rock and Roll Hall of Fame. (4) "The way that Elvis freed your body, Bob freed your mind.” (5) Early masterpieces such as "A Hard Rain’s A-Gonna Fall” and "Visions Of Johanna” and "Like A Rolling Stone” fueled a debate: Are rock lyrics poetry?

(6) The answer must be yes, because on Thursday, Dylan was awarded the highest honor for a writer: the Nobel Prize in literature. (7) The Swedish Academy, in making him the first American winner since novelist Toni Morrison in 1993, cited him for "having created new poetic expressions within the great American song tradition.”

Which sentence states DeLuca’s claim?

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sentence 7

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification