The kind of criticism from literary critics and theorists who have encountered my own work stems from their belief that if you're India-born, you must write about India and you must write about an Indian woman or peasants being victimized It's absurd, when you think that I'm writing about the post-1965 immigration-transformed America, and that the majority of South Asians granted visas are urban, educated professionals and their families. The aim of fiction is to break down stereotypes. Unfortunately, the publishing and academic industries seem to profit more from reinforcing stereotypes. Which excerpt from the passage best supports the ideas expressed in this interview?