Read the following passage: "Choosing a health insurance plan feels a lot like juggling chainsaws: it's scary, it's hard, and there's a good chance it will end in
regret. For Americans fortunate enough to have a choice, there are two broad options, low premium/high deductible plans and high
premium low deductible plans.
"Low premium/high deductible plans are cheap but uncertain. They cost the least up front. But if you get sick or hurt, you'll pay
most of the expense yourself. These are the choice of the healthiest or poorest people.
"High premium/low deductible plans are pricey but predictable. You have a sizable monthly fee, but if you do get sick or hurt the
insurance company will cover most of those costs. These plans are the wise choice for the well to do or the already ill."
The main idea is "For Americans fortunate enough to have a choice, there are two broad options, low premium high deductible
plans and high premium/low deductible plans." Which sentence below provides a minor supporting detail?
Choosing a health insurance plan feels a lot like juggling chainsaws: it's scary, it's hard, and there's a good chance it will end in
regret
O Low premium/high deductible plans are cheap but uncertain.
High premium low deductible places are pricey but predictable.
These plans are the wise choice for the well to do or the already ill.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.