Help me! 1. The work was new to me………. , it did not seem difficult. (Consequently, Nevertheless)
2. He is old…………. , his mind is still active. (Nonetheless, Therefore)
3. It was very misty. ……….., we could not get a clear view of the mountain. (Hence, However)
4. We had walked several miles……….. , we did not feel tired. (Accordingly, Still)
5. She is a talented actress…………. , she is very beautiful. (Moreover, Thus)
6. We take the bus every day………. , we are familiar with the bus route. (Nevertheless, Thus)
7. The child was sleepy………… , we went home early. (Otherwise, Therefore)
8. The food was delicious………… , the service was excellent. (Likewise, Nevertheless)
9. We looked everywhere. ………, we could not find the keys. (However, Thus)
10. The book is long…………… , the vocabulary is difficult. (Consequently, Furthermore)

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

answer: honestly, me too dude. i feel that.

explanation: