7. In this clip, Michael suggests that the story about the man helping the women jump from the window is “totally unnecessary for Marrin to include” and is “another spot where he makes stuff up.” How do Anna and Ms. Leonard react? Chris: Woah, woah, woah. So this is all the men’s fault? What about the guy that helped the woman jump from the window?
Ana: Oh my god. It was heartbreaking.
Michael: And totally unnecessary for Marrin to include.
Christina: Wait, why?
Michael: It’s just another spot where he makes stuff up, right?
Ana: No, he uses a quote! “Someone saw the man kiss the woman before they jumped.”
Michael: Yeah but look at the quote: “He was brave enough to help the girl he loved.” There’s no way that the men on the street could have known that those two were in love.
Christina: Yeah, I guess that’s true. Ms. Leonard: But it makes the story more powerful, doesn’t it? And isn’t that Marrin’s intention? I mean, storytellers sometimes choose to dramatize a story to convey emotion. It's different than making stuff up.

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep