ENGLISH 9 19. Your parents have just retired, 20. You and I passed the exam, 21. Everybody was eager to get on the cruise, TEACHER: NGUYEN THI WONG NGO 2 2 22. Everything was ready for the party, 23. Mary believes John will come back soon, 24. Mrs. Jones never goes to Berlin on business, 25. Let's play dominoes, ? ? 2 2 2 26. I'm thinner than my friend, Jill, 27. My cousins weren't at the theme park last weekend, 28. Linda wasn't writing in her diary when you called her, 29. I'm not the tallest boy in my class, 30. Their son rarely has dinner with them, 31. His mother was sick last week, 32. None of them finished their homework, 33. John doesn't believe they can pass the test, 34. Nothing is more important than health, 35. The kids shouldn't stay up late, .

c hydrophobia is the answer

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

first of all, dante wanted to write an account of the search for spiritual atonement and salvation, and this desire drew heavily from dante's own experiences. dante was living in exile while writing inferno and so, much like his poetic counterpart, he felt like he had lost his way and needed direction.

explanation: