English, 06.03.2022 08:00 hiihihihij

27. Language is an important part of the theme of this fable, and although the story is told in rather simple terms, the ideas that it expresses are philosophical and deep.
Santiago is an educated young man, capable of understanding many languages
because of his seminary training. Yet, he is clearly interested in learning about the
world and about his reason for being in a way that goes beyond mere speaking
and writing. He chooses to travel, first as a shepherd and then as an adventurer
seeking his destiny, because he wants to learn how to communicate in the
Language of the World. There are many references throughout the text to this
language, and clearly it is a language that goes beyond words. He often reflects on
the "language without words," which describes the way that people communicate
to each other when they do not speak each other's language. The language without
words is also the language he speaks with his sheep. What are some of the literal
and figurative languages that Santiago realizes he has learned by the time he
completes his year of work for the crystal merchant?
T.
bont introduces

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Answer from: Quest

what's the sales price

Answer from: Quest

How do you type these long ridiculous nguestion. oh, you copy n pasted. i see you. and that answer to the question is gonna be a quess from me. answer=c

Answer from: Quest

answer: a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

Answer from: Quest

the answer is c.going into the business right after high school

explanation:

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27. Language is an important part of the theme of this fable, and although the story is told in ra...

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