English, 02.07.2019 06:40 mxrvin4977

Read the following scene from the little foxes. ben. (very jovial) i suppose i have been. and why not? horace has done hubbard sons many a good turn. why shouldn’t i be anxious to him now? regina. (laughs) him! him when you need him, that’s what you mean. ben. what a woman you married, horace. (laughs awkwardly when horace does not answer) well, then i’ll make it quick. you know what i’ve been telling you for years. how i’ve always said that every one of us little southern businessmen had great things—(extends his arm)—right beyond our finger tips. it’s been my dream: my dream to make those fingers grow longer: i’m a lucky man, horace, a lucky man. to dream and to live to get what you’ve dreamed of. that’s my idea of a lucky man. (looks at his fingers as his arm drops slowly) for thirty years i’ve cried bring the cotton mills to the cotton. (horace opens medicine bottle). well, finally i got up nerve to go to marshall company in chicago. what would be similar about a stage and a film interpretation of this scene?

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If the options are:

A. Viewers would have to infer the emotions and motivations of Ben and Regina.
B. Viewers would have to envision the physical descriptions of Ben and Regina.
C. Viewers would have to imagine the few props being used by Ben and Regina.
D. Viewers would have to visualize the actions and movements of Ben and Regina.

Then the right answer is A. In stage and film adaptations, there is no need for the viewers to envision physical descriptions, imagine props, or visualize actions and movements. They can already see all of that, as the directors have already taken care of it. We only have to visualize all these things when we read the play. However, inferring the inner enigmas of characters' motivations is still up to us.

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the boy (2016) - imdb

imdb › title

the boy from

an american nanny is shocked that her new english family's boy is actually a life-sized doll. after she violates a list of strict rules, disturbing events make her believe that the doll is really alive.

rating

6/10 (66,790)

the boy (2016 film) - wikipedia

wikipedia › wiki › the_boy_(2016_film)

the boy is a 2016 horror film directed by william brent bell and written by stacey menear. the film stars lauren cohan and rupert evans. filming began on march 10, 2015, in victoria, british columbia. the film

produced by: matt berenson; jodyne herron; gary lucchesi; tom rosenberg; jim

production companies: lakeshore entertainment; huayi brothers pictures; vertigo

distributed by: stxfilms

music by: bear mccreary

plot

cast

production

reception

the boy (2016) - rotten tomatoes

rotten tomatoes › the_boy

the boy from

jan 22, 2016 · the boy is a frightening thrill ride directed by william brent bell (the devil inside) starring lauren cohan (

rating: pg-13 (for violence and terror, and for some thematic material)

in theaters: jan 22, 2016 wide

runtime: 98 minutes

rating

30% (61)

reviews

top voted tags

creepy · plot twist · dark · suspenseful · disturbing · tense · terrifying · + 3

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critic reviews

more likely to elicit laughs and rude remarks rather than screams and rooting interest.

joe leydon

variety

while it's not a terribly original entry in the "creepy doll" horror subgenre, this fright flick nonetheless offers interesting characters, a strong cast, expert pacing, and a spooky atmosphere.

jeffrey m. anderson

common sense media

3/5

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Read the following scene from the little foxes. ben. (very jovial) i suppose i have been. and why no...

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