The French Revolution played a huge role in influencing Romantic writers. As the Revolution began to play out, the absolute monarchy that had ruled France for centuries collapsed in only three years. This resulted in a complete transformation of society. A majority of the population was greatly in favor of this as the working class had been suffering oppression for many years.[1] According to Albert Hancock, in his book The French Revolution and the English Poets: a study in historical criticism,
“The French Revolution came, bringing with it the promise of a brighter
day, the promise of regenerated man and regenerated earth. It was
hailed with joy and acclamation by the oppressed, by the ardent lovers
of humanity, by the poets, whose task it is to voice the human spirit.”[2]
A common theme among some of the most widely known romantic poets is their acceptance and approval of the French Revolution. William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and Percy Shelley all shared the same view of the French Revolution
as it being the beginning of a change in the current ways of society
and helping to improve the lives of the oppressed. As the French
Revolution changed the lives of virtually everyone in the nation and
even continent because of its drastic and immediate shift in social
reformation, it greatly influenced many writers at the time. Hancock
writes, “There is no need to recount here in detail how the French
Revolution, at the close of the last century, was the great stimulus to
the intellectual and emotional life of the civilized world, how it began
by inspiring all liberty-loving men with hope and joy.”[2]
Literature began to take a new turn when the spirit of the revolution
caught the entire nation and turned things in a whole new direction.
The newly acquired freedom of the common people did not only bring about
just laws and living but ordinary people also had the freedom to think
for themselves, and in turn the freedom to express themselves. Triggered
by the revolutionary spirit, the writers of the time were full of
creative ideas and were waiting for a chance to unleash them. Under the
new laws writers and artists were given a considerable amount of freedom
to express themselves which did well to pave the way to set a high
standard for literature.[3]
Prior to the French Revolution, poems and literature were typically written about and to aristocrats and clergy,
and rarely for or about the working man. However, when the roles of
society began to shift resulting from the French Revolution, and with
the emergence of Romantic writers, this changed.[4]
Romantic poets such as Wordsworth, Coleridge, Byron, and Shelley
started to write works for and about the working man; pieces that the
common man could relate to. According to Christensen, “To get the real
animating principle of the Romantic Movement, one must not study it
inductively or abstractly; one must look at it historically. It must be
put beside the literary standards of the eighteenth century. These
standards impose limits upon the Elysian fields
of poetry; poetry must be confined to the common experience of average
men… The Romantic Movement then means the revolt of a group of
contemporary poets who wrote, not according to common and doctrinaire standards, but as they individually pleased… there are no principles comprehensive and common to all except those of individualism and revolt.”
