In part two of trifles, which quotation most supports the theme that women are often unaware of the suffering of other women? mrs. peters cannot bring herself to touch the dead bird, so mrs. hales puts the entire box in her coat pocket. the men overlook the important details because they believe the kitchen holds nothing but trivial kitchen items. mrs. peters explains to mrs. hale that mrs. wright had an uncomfortable feeling around cats. mrs. hale and mrs. peters discover a birdcage with broken door hinges and no bird inside of it.

The men overlook the important details because they believe the kitchen holds nothing but trivial kitchen items.

Explanation:

The topic of gender goes through this play from the first interaction, when the gathering goes into the house, through the last lines of discourse. The men hold all the official positions in the play and exercise all formal power: two of the three are the area lawyer and the sheriff of the network. The gathering's examination of the Wright family house exhibits a severe division of work and exercises along sexual orientation lines. As the men hold the positions speaking to the open circle, the ladies speak to the household circle. While the men banter law and scan for a thought process, the ladies assemble Mrs. Wright's materials to comfort her while she's in prison, a demonstration of providing care and empathy and perceives the indications of the cluttered kitchen as considerably more significant than the men do. Though the men essentially expel Mrs. Wright as a poor servant, the ladies comprehend the essentialness of the wreckage. Mrs. Wright's internal unrest over the passings of both her soul and her feathered creature shows itself remotely in the chaos of her kitchen.  

The women likewise try how much marriage changes Minnie Foster. There is an immediate line between what these ladies experience as young ladies (a kid executing Mrs. Diminish's little cat) and what they experience as grown-ups (a man murdering Mrs. Wright's fledgling)— and an immediate line between how men went about as young men and how they go about as grown-ups. This devastation of the female soul starts in girlhood and is finished by womanhood.

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