Read the excerpt. mr. and mrs. farquar … asked the scientist to lunch. … gideon … said grudgingly: “the big baas want to know what medicine i used? ” he spoke incredulously, as if he could not believe his old friends could so betray him. mr. farquar began explaining how a useful medicine could be made out of the root, and how it could be put on sale, and how thousands of people … could be saved by the medicine. … [t]hey all realized he would never give in. the magical drug would remain where it was, unknown and useless except for the tiny scattering of africans who had the knowledge … power and wisdom. in “no witchcraft for sale” by doris lessing, how does gideon’s cultural background affect his actions with the medicinal plant? a. gideon’s position as a leader in the native community requires him to be kind to the scientist. b. gideon’s position as a servant to the family demands that he tell the farquars what they want to know. c. gideon’s position as a tribal medicine man dictates that he not betray the secret to outsiders. d. gideon’s position as teddy’s caregiver leads him to give away the name of the medicinal root.

I'll mark ! what are some examples of metaphors and symbolism in the song "lose yourself" by eminem?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

Which work would represent a change to the artistic medium of this original work?