How does the court and wealthy merchant patronage shape the content and appearance of religious and secular art?

a lot of the time they would pay artists to paint them into a religious scene; brings back a sense of humanism

Explanation:

During the Renaissance period, the patron played a fundamental function in the development of art. Besides being enthusiastic customers of art, they were its organizer, sometimes controlling content and structure. Wealthy people recognized art as a symbol of power, prestige, or honoring their lineage. The patron provided support to the artist but the relationship between them was always a source of conflict because of the dominating position of patrons.

c

explanation:

i am pretty sure hopefully just you

the first historical instance of china engaging in internationalism was during the han dynasty.[1] at the start of the han dynasty, the huns in the north were attacking the frontiers of han and trying to obtain riches. emperor wu of han wanted to gain an alliance with a country called dayuezhi so the two countries could join together and fight against the huns.[2] to obtain this alliance, emperor wu sent zhang qian to the west to establish economic and cultural connections.[2] history records that during the han dynasty there were four primary avenues of contact between china and europe. they included the northern land route, the central land route, the southern sea route, and the far southern sea route.[1] the most famous of these routes is the central land route, or the classical silk road, comprising a network of roads stretching from northwest china to the ports of syria and the black sea, which passed through the oasis of the turkestans and northern persia.[1] the silk road was significant for chinese emperors because it provided dominance over central asia by developing resources and provided new markets for the export of china's most valuable resources.[1]