THE TRIUMPH OF DEATH, ANONYMOUS PAINTING FROM FIFTEENTH-CENTURY SICILY The figures in the foreground represent the clergy, nobility, and townspeople. Developments such as the one depicted in the painting most directly contributed to which of the following in Afro-Eurasia in the fourteenth and fifteenth centuries? A. Creation of diasporic merchant communities
B. Peasant revolts against taxation and coercive labor systems
C. An increase of religious tolerance
D. An expansion of Mongol power

B. Peasant revolts against taxation and coercive labor systems

Explanation:

According to the given painting of which the general public which includes the clergy, noblemen and townspeople, the developments as shown in the painting contributed to peasant revolt against taxation and coercive labor systems.

This is because, they got inspiration from the painting to rebel against taxes and labor.

idk

explanation:

the image shown is not a reliable source. it is not a photograph taken of the event, and it is not a painting created by someone who witnessed the event. the image can be considered yellow journalism because it is sensational and exaggerated. the explosion did not likely cause bodies to fly in the air or create a large fireball, as shown here. the image was created to make the american public angry about the explosion, not to show what actually happened.

the painting is not reliable.

the painting is exaggerated.

the painting is inaccurate.

the painting was created to make the public angry, not to show what really happened.