How was Marcus Garvey's philosophy of pan-Africanism similar to the new forms of art and music that thrived during the Harlem Renaissance?
A. Both celebrated African American culture rather than promoting
assimilation into white culture.
B. Both were instrumental in convincing white Americans to respect
the rights of African Americans.
C. Both encouraged African Americans to abandon aspects of their
culture that were tied to slavery.
D. Both represented the increasing influence of the highly intellectual
African American middle class.