HELP PLEASE. ‼️‼️‼️‼️30 points Cave paintings were first discovered in Altamira, Spain in 1879. Archaeologists have
also found cave paintings throughout France.
What conclusions can you make when you review the chart and compare the two maps? Can you place the site on the
timeline? Write a short summary of your conclusions. Then, write a second paragraph in which you compare site 1 and
site 2. When you compare the two sites, consider how the climate plays a role in the differences between the two sites.

The cave, discovered by a hunter in 1868, was visited in 1876 by Marcelino Sanz de Setula, a local nobleman. He returned in 1879 to excavate the floor of the cave’s entrance chamber, unearthing animal bones and stone tools. On one visit in the late summer, he was accompanied by his eight-year-old daughter, Maria, who first noticed the paintings of bison on the ceiling of a side chamber. Convinced of the antiquity of the paintings and the objects, Sanz de Setula published descriptions of his finds in 1880. Most prehistorians of the time, however, dismissed the paintings as modern forgeries, and it was not until the end of the 19th century that they were accepted as genuine.

The Altamira cave is 971 feet (296 meters) long. In the vestibule numerous archaeological remains from two main Paleolithic occupations—the Solutrean (about 21,000 to 17,000 years ago) and the Magdalenian (about 17,000 to 11,000 years ago)—were found. Included among these remains were some engraved animal shoulder blades, one of which has been directly dated by radiocarbon to 14,480 years ago. The lateral chamber, which contains most of the paintings, measures about 60 by 30 feet (18 by 9 meters), the height of the vault varying from 3.8 to 8.7 feet (1.2 to 2.7 meters); the artists working there were thus usually crouched and working above their heads, never seeing the whole ceiling at once. The roof of the chamber is covered with paintings and engravings, often in combination—for example, the bison figures that dominate were first engraved and then painted. These images were executed in a vivid bichrome of red and black, and some also have violet tones. Other featured animals include horses and a doe (8.2 feet [2.5 metros] long, the biggest figure on the ceiling), as well as other creatures rendered in a simpler style. Numerous additional engravings in this chamber include eight anthropomorphic figures, some handprints, and hand stencils. The other galleries of the cave contain a variety of black-painted and engraved figures. In many cases the creator of the images exploited the natural contours of the rock surface to add a three-dimensional quality to the work.

The black paint used in the drawings was determined to be composed largely of charcoal, which can be radiocarbon dated. By the turn of the 21st century, this method had been applied to several images on the Altamira ceiling. Scientists now believe the ceiling paintings date from c. 14,820 to 13,130 years ago. In July 2001 an exact facsimile of the cave’s decorated chamber, entrance chamber, and long-collapsed mouth was opened to the public at the site.

the hollywood film industry of 1950 was threatened on several different fronts. television broadcasting was rapidly becoming the dominant entertainment medium in the united states. the paramount anti-trust consent decree requiring separate ownership for production companies and theater chains had gone into effect on 1 january 1950. large numbers of young men and women were marrying, having children, and moving to the suburbs, which affected the viability of downtown first-run movie theaters. foreign revenues were endangered by protectionist tactics including quota systems, high taxes, and blocked funds. finally, the morality and patriotism of hollywood films and filmmakers were under attack from government, religious, and citizens' groups.

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