In animated films which consist of primarily computer-generated imagery, the relationship between the director and the production designer is the same as in nonanimated films, except that the production designer and his or her staff have

a. less control over the mise-en-scène, as the specific details of the film are dictated by the director to the production designer.
b. greater difficulty getting the director to understand what the final product of the computer-generated images will look like.
c. even greater control over the mise-en-scène and the entire look of the film than they could possibly have in nonanimated films.
d. greater difficulty explaining to the director what the look of the film should be

Correct answer is C.

Explanation:

even greater control over the mise-en-scène and the entire look of the film than they could possibly have in nonanimated films.

C. even greater control over the mise-en-scène and the entire look of the film than they could possibly have in non-animated films.

Explanation:

In animated films that is made up of images generated by computer, the relationship that seems to exist between the director and the producer will be the same, while the producer and the crew will have higher control over the project because it is an animation film

the correct answer for this question is:

it is system invented in 1872 that produced the first illusion of movement. basically it was a disk with a series of drawings around the edge, showing the same object in slightly different poses. when it was spun, it created the illusion of movement.

found this online : )