Both Heinrich Schlieman and Sir Arthur Evans projected their fantasies of bringing the ancient mythological Greek world into historical reality. Fulfilling this fantasy was their obsession. The upside is that they introduced great attention to archaeology, yet both did not find what they thought they had. This has affected the names of objects, monuments, and the entire culture in the case of Minoan. Should we keep these names? Or should we look for more historically accurate and appropriate names to supplant them with. When you answer, list specific examples like the Treasure of Atreus. Are there examples you can think of that have taken place in the last 50 years?

Match these items. match the items in the left column to the items in the right column. 1. amulet the horizontal beam or crosspiece over a door or window that carries the weight of the structure above it 2. bitumen a large single block or piece of stone 3. lintels sedimentary rock consisting of tiny spherical concentric grains 4. megalithic description of a structure made of large, roughly hewn stones 5. monoliths pictures carved in such a way that the figures stand out from the background 6. nomadic a hydrated (containing water) iron oxide compound 7. ochre a three-part construction of two monoliths topped by a lintel 8. oolitic limestone each part of the body is shown so that the image most easily represents the original 9. relief sculptures a small object worn to ward off evil, harm, or illness or to bring good fortune; protecting charm 10. shaman a trait of people who do not live in one place but rather travel around, hunting and gathering food where they can find it 11. trilithons a tarlike substance 12. twisted perspective a person who acts as intermediary between the natural and supernatural worlds, using magic to cure illness, foretell the future, control spiritual forces, and so on

There’s a one story house everything’s purple , the sofa the walls everything what color is the stairs

Imagine that your friend comes to you interested in a career in the photography field but unsure if he wants to be an actual photographer. because of your interest in photography, you agree to mentor and guide your friend as he makes this decision. you suggest that he may want to explore other careers in the art world, like being an art critic, an art historian, an art collector, an art gallery owner, or a philosopher of art (also known as an aesthetician). you know that your friend is detail-oriented and likes making lists and cataloging items. in order to your friend decide what career path to follow, you agree to do some research about each of these career fields. define the career in one sentence. what might a day-in-the-life look like for each of these careers? what two skills will he need to be successful in each of these careers? at the end of the email, suggest the career that you think will be the best fit for him, with his skills in mind.