Mallam sile is told to "shut up" whenever he tries to speak, so that eventually "the tea seller learned to shollow his words." why is mallam treated in this way? What does this behavior towards mallam add to readers' understanding of both his character and ghanaian society?

the opening scene of "sweat" exposes the great emotional charge of the story. it shows the violence and abuse that dyes the marriage between delia jones and skyes.

skyes decides to terrorize his wife by pulling a bull whip (which resembles a snake), knowing that she is terrified of those animals. skyes laughs cruelly at her and kicks the laundry with which delia has been working hard, telling her to get rid of it. skyes also comments on her religious manners, telling his wife how ridiculous they are. delia reacts by threatening skyes with her frying pan, generating even more conflict

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran