PLZ HELP ME When deciphering a theme, one must think about...
(5 Points)
the big picture
the story line
what the character thinks
the plot structure

Themes are not...Immersive Reader
(5 Points)
A major part of the story
Directly stated by the author
Why the story was written
Something you should have to figure out

Themes should be dictated as...
(5 Points)
One word
The character's main thought
One sentence
All of the above

What is the reason authors insert themes into their writing?
(5 Points)
To make the character's motivations understood
To teach the reader something
To make the story a great story
All of the above

Themes incorporate into their meaning.
(5 Points)
How the character feels
How the author feels
Real world advice
Real world problems

Themes are always easy to figure out.
(5 Points)
True
False

Authors always provide a verdict on whether a theme is right or wrong
(5 Points)
True
False

Themes are the purpose the author wrote the story.
(5 Points)
True
False

last one is the answer

tessa’s film suffers when she refuses to deviate from her plan as obstacles arise.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran