How did the U. S. film & entertainment industry contribute to discrimination against the Chinese?

This article aims to identify the main trends in the global film market, especially in the structure of the three ‘regional’ markets of greatest political and economic importance – China, Europe, and the United States/Canada – and the relationships between them.1 Estimates by two authoritative sources show that the global film market has experienced a positive trend over recent years with respect to some of its most significant components: box office revenue, admissions (total tickets sold), the total number of screens, and the total number of films made.

The 23.7% growth in ‘number of screens’ worldwide illustrated in Table 1 signifies an important structural trend for the future of the film industry future; it is a precondition for growth in both admissions and box office revenue. The 21% growth in box office bodes well for the film industry in general (although dependent upon total admissions and ticket prices). The 15.6% growth in films produced shows healthy dynamism on the supply side. The only less-than-brilliant trend is the 10.6% growth in the number of admissions.

Explanation:

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