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The sun was barely above the horizon when the fisherman untied his boat and set himself free of dry land. Each wave he crossed, heading out to sea, marked a greater distance between him and everything to do with him. With every crest, he was a little further away from is house. His house, no longer his home. Yes, it had walls and furniture and pictures, but it had no spirit. The photos, the tables and the chairs existed without reason, without source; like the faded perfume of his wife which still lingered in the air long after she had gone.
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English, 21.06.2019 13:00
Excerpted from "hope is the thing with feathers" by emily dickinson [2] and sweetest���in the gale���is heard��� and sore must be the storm��� that could abash the little bird that kept so many warm��� [3] i've heard it in the chillest land��� and on the strangest sea��� yet, never, in extremity, it asked a crumb���of me. in the last stanza, the author writes that the little bird " a crumb of me" what type of figurative language is evident in these lines? a. onomatopoeia b. alliteration c. assonance d. personification
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English, 22.06.2019 00:30
Now we have "lords of dogtown," a fiction film based on the very same material and indeed written by peralta. not only is there no need for this movie, but its weaknesses underline the strength of the doc.” based on this passage, we can conclude that the author a. prefers documentaries to fictional stories c. likes the movie “lords of dogtown” very much b. prefers the documentary over “lords of dogtown” d. feels that it took too long to make the movie “lords of dogtown”
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English, 22.06.2019 11:00
1. in which sentence is the underlined portion a predicate nominative? for astronauts, going into space to repair orbiting equipment becomes a challenge. for astronauts, going into space to repair orbiting equipment becomes tricky. for astronauts, going into space to repair orbiting equipment becomes challenging. for astronauts, going into space to repair orbiting equipment becomes frequent.
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Please help me to analyse the all stylistic devices a...
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