Read the excerpt from act ii of hamlet. guildenstern: prison, my lord! hamlet: denmark’s a prison. rosencrantz: then is the world one. hamlet: a goodly one; in which there are many confines, wards, and dungeons, denmark being one o’ the worst. in this excerpt, hamlet compares denmark to a prison. which statement best describes the effect of this metaphor? it indicates that hamlet feels trapped. it reveals that hamlet is being forced to stay. it proves that hamlet’s father was killed. it shows that hamlet imagined the ghost.

Need ! compare and contrast your independent reading selection with one or two other selections you have read in this unit. support your response with at least two pieces of evidence from your independent reading selection. be sure to give the title and author of your selection.

What attitude of the aristocracy is illustrated by lady bracknell's lines in the play?

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.